Metropolis

This is the sort of couples-very-friendly material that viewers will want to watch in real-time, since virtually every shot is a stand-alone feast for the eye. We can already see a spot for Metropolis on the pre-nom list for Best All-Sex Video, and Marty Zion for Best Director.

Take the first scene, with the legendary Brittany Andrews, dressed in black vinyl and thigh-high boots, paired with relative newcomer Cynthia Pendragon, in complementary all-pink attire. The gals dance, sometimes together, stroking each other; the expert editing choosing just the perfect shots to show the women's sexual attractiveness. When the gals finally do get topless (slowly, seductively), trouser tents will be popping all over town. Right about then, Billy Tyler appears. There's no doubt the performers are having a great time. Cynthia particularly likes getting her pussy eaten - and likes Brittany's strap-on doggie-style fucking even more! Billy's cock then replaces Brittany's dildo for more doggie, then side-saddle, leading to a shot to Cynthia's bellybutton.

Scene two features Nina Dolci, shot alternately in B&W and color, dancing among the (painted) cloud background, rubbing her pussy with hands and a chain and obviously loving it. Anthony Hardwood enters, licks her back, and, in an instant, the pair are in 69, reverse cowgirl, doggie and spoon before he deposits his load on her tongue. "Yowzah!" hardly seems sufficient.

The following girl/girler with Sarah Blake and Pason is excellent with its strap-on action, but even better is the next scene, with Dolorian at her sultry best: Off-the-tits bustier, nightgown-like shawl, stockings and garter belt, dancing up a storm on a stage decorated with Broadway-style signs. By the time she's naked, the audience will be literally panting for more - and she gives it to them, with vigorous pussy rubbing. Evan Stone's appearance is then almost an anti-climax - except that the pair look spectacular essaying horsie action in front of the illuminated signs; Dolorian bounces well on his cock in reverse cowgirl, and the pair make great eye contact in the concluding mish.

The finale has Vicki Vette doing a hot solo on what looks like a rooftop before being double-teamed by Alex Rox and Tristan Seagal. In fact, as soon as the guys appear, Vicki's squatting, naked, to suck their cocks. One guy takes her doggie-style; she rides the other's cock in cowgirl. Mish and doggie follow, but the highlight of the scene is a long double penetration that's capped by shots to her mouth, face and chest.

We just can't say enough about this feature's production values, which approach those of, say, Bob Fosse's All That Jazz. Kudos - and pre-noms - to videographers Nando Vega and Rigo Corleone (who "made their bones" shooting for Michael Ninn), editors Eric Avalon and Kevin Winters, production designer Zion and a nod to Jeffrey Bryan for Best Music.

Crítica de AVN